Amandla! A Revolution in Four Part Harmony - KarazwLaimoon

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Amandla! A Revolution in Four Part Harmony

Cinema Talks > 2013 Autumn (Season 4)

Title: Amandla! A Revolution in Four Part Harmony
Director: Lee Hirsh (USA)
Date: 2002
Language: English
Duration: 108 minutes

: Thursday 21 November 2013

Time: 6 pm
Location: Mouawad Museum (Beirut, Lebanon)

Link to IMDB: Click Here
YouTube Trailer: Click Here
Leo Africanus: Click Here
Contact Music: Click Here
Foreign Policy Association: Click Here
SBS (Film): Click Here
Holywood Outsider: Click Here
Synopsis: (From Wikipedia)
This is a 2002 documentary film depicting the struggles of black South Africans against the injustices of Apartheid through the use of music. The film takes its name from the Zulu and Xhosa word "amandla". This means power. The film was produced by Sherry Simpson Dean and Lee Hirsch. Simpson Dean and Hirsch also produced the film's soundtrack of the same name. The collection of authentic South African "Freedom Songs" was Executive Produced by Dave Matthews and his label ATO Records.

In the film, South African musicians, playwrights, poets and activists recall the struggle against apartheid from the 1940s to the 1990s that stripped black citizens of South Africa of basic human rights, and the important role that music played in that struggle. The documentary uses a mixture of interviews, musical performances and historical film footage. Among the South Africans who take part are Miriam Makeba, Abdullah Ibrahim, Hugh Masekela, Vusi Mahlasela and others.

The freedom songs heard in the film have an important historical context. Particularly in the United States, freedom songs have referred to protest songs of the abolitionist, civil rights, and labor movements. Yet, in South Africa, the songs take on a different meaning, referring to a unique collection of songs tied to the struggle for racial equality during the twentieth century. Stylistically, freedom songs originated in choir as a unifying and prevalent genre that combined southern African signing traditions with Christian hymns. Most of the songs have simple melodies and are sung a cappella. More importantly, they are composed and sung in groups, and often reflect changing political circumstances and attitudes.

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